Bade Ghulam Ali Khan
Ustad Bade Ghulam Ali Khan | |
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Background information | |
Also known as | Sabrang |
Born | Kasur, Punjab, British India (present-day Punjab, Pakistan) | 2 April 1902
Died | 23 April 1968 Hyderabad, Telangana, India | (aged 66)
Genres | Hindustani classical music |
Occupation | singer |
Years active | 1923–1967 |
Labels | HMV, Times Music |
Ustad Bade Ghulam Ali Khan (2 April 1902 – 23 April 1968) was an Indian vocalist, from the Kasur Patiala Gharana.[1][2][3]
Early life and background
[edit]Ustad Bade Ghulam Ali Khan was born in Kasur, of the erstwhile Punjab Province, British India in 1902. Following partition of India in 1947, Kasur Tehsil was allocated to Pakistan. At the age of five, Bade Ghulam began training in vocal music from his chacha Kale Khan, and later from his father. He had three younger brothers namely Barkat Ali Khan, Mubarak Ali Khan and Amanat Ali Khan.
Ustad Khan Ghulam Ali Khan had two sons from his first marriage to Allah Jawai. Munawar Ali Khan, his younger son, was born in August 1930 and Karamat Ali Khan, his elder son, was born in Lahore on December 28, 1928. Seven sons were born to his elder son Karamat Ali Khan: Baqi Ali, Asif Ali, Mazhar Ali Khan, Jawaad Ali Khan, Mehdi Ali, Sajjad Ali, and Naqi Ali Khan. Out of the seven sons, three have carried on the Gharana lineage and are still singing. Mazhar Ali Khan died in New Delhi, India, in September 2021. Three children were born to Munawar Ali Khan: two sons Raza Ali Khan and Shakir Ali Khan, and a daughter. Raza Ali Khan is carrying on the Gharana customs as well.
Singing career
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/81/Bade_Ghulam_Ali_Khan_2003_stamp_of_India.jpg/220px-Bade_Ghulam_Ali_Khan_2003_stamp_of_India.jpg)
Though he started his career by singing a few compositions of his late father Ali Baksh Khan and uncle Kale Khan, Bade Ghulam amalgamated the best of three traditions into his own Patiala-Kasur style:
- The Behram Khani elements of Dhrupad
- The gyrations of Jaipur and
- The behlavas (embellishments) of Gwalior.
Many of his raga expositions were brief, contrary to convention, and, while he agreed that the beauty of classical music lay in leisurely improvisation, he believed that the audience would not appreciate long alaps, particularly considering his tendency towards singing for the masses. He, therefore, changed the music to what the audience wanted. He excelled at more light-hearted ragas such as:
- Adana
- Bhupali
- Hameer
- Jaijaiwanti and
- Jaunpuri.
Under the pen name of Sabrang, he created many new compositions. Unlike his younger son, Munawar Ali Khan, who had an open-throated voice, Khan Sahib's voice was slurred.
After the Partition of India in 1947, Bade Ghulam Ali Khan went to his hometown Kasur in Pakistan, but moved to India later to live permanently in 1957. With the help of the Bombay Chief Minister, Morarji Desai, he acquired Indian citizenship and moved to a bungalow at Malabar Hill in Mumbai. He lived at various times in Lahore, Bombay, Calcutta, and finally Hyderabad.[3]
For a long time, he stayed away from singing in films, despite requests and persuasion from well-known producers and music directors. Finally, after much coaxing, he was convinced by the film producer, K Asif, to sing two songs based on the ragas Sohni and Rageshri for the 1960 film Mughal-e-Azam, with music directed by Naushad. He demanded and received an extremely high price, reportedly ₹ 25,000 per song, at a time when the rates of popular and star playback singers such as Lata Mangeshkar and Mohammed Rafi were below ₹ 500 per song.[2][4]
Awards and recognition
[edit]- Sangeet Natak Akademi Award (1962)[5][1]
- Sangeet Natak Akademi fellow (1967)
- Padma Bhushan Award (1962)[6][1]
Death and legacy
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/7/7c/Bade_Ghulam_Ali_Khan_Tomb_at_Daira_Mir_Momin_cemetery_in_Hyderabad_04.jpg/220px-Bade_Ghulam_Ali_Khan_Tomb_at_Daira_Mir_Momin_cemetery_in_Hyderabad_04.jpg)
He died in Basheer Bagh Palace in Hyderabad on 23 April 1968 after a prolonged illness that had left him partially paralyzed in the last few years of his life. He continued to sing and perform in public with the support of his son, Munawar Ali Khan, until his death.[7][1] He was buried at Daira Mir Momin cemetery in Hyderabad.[8][9]
Indian film director Harisadhan Dasgupta made a documentary film about Khan in 1968, titled Bade Ghulam Ali Khan Sahib.[10]
In 2017, the Bade Ghulam Ali Khan Yaadgaar Sabha was founded by his disciple Malti Gilani. It helps to keep his music and memory alive even today.[11]
The main street at Basheerbagh is named Ustad Bade Ghulam Ali Khan Marg in his honour.[2]
References
[edit]- ^ a b c d Ustad Bade Ghulam Ali Khan India Today (newspaper), Retrieved 19 October 2020
- ^ a b c (Papri Paul) Bade Ghulam Ali Khan: Remembering the legend The Times of India (newspaper), Published 4 April 2017, Retrieved 19 October 2020
- ^ a b Ramachandra Guha (5 June 2020). "Melody within (Bade Ghulam Ali Khan)". The Telegraph Online (newspaper). Retrieved 19 October 2020.
- ^ "बड़े गुलाम अली खान: जिन्होंने गाने के लिए रफी और लता से 50 गुना फीस ली". Firstpost Hindi. 2 April 2018.
- ^ "List of Sangeet Natak Academic Awards". Sangeet Natak Akademi website. Archived from the original on 31 March 2016. Retrieved 19 October 2020.
- ^ Padma Bhushan Award (1962) listed for Bade Ghulam Ali Khan Government of India website, Retrieved 19 October 2020
- ^ Beat Street (Bade Ghulam Ali Khan) The Hindu (newspaper), 16 November 2005, Retrieved 19 October 2020
- ^ "Ustad Bade Ghulam Ali Khan's tomb restored". The Times of India. 3 April 2021. ISSN 0971-8257. Retrieved 4 May 2023.
- ^ Today, Telangana (28 March 2021). "Hyderabad: Ustad Bade Ghulam Ali Khan's tomb being restored". Telangana Today. Retrieved 4 May 2023.
- ^ "Bade Ghulam Ali Khan Saheb (1964)". Indiancine.ma.
- ^ (Anjana Rajan) On ragas and riches The Hindu (newspaper), 22 August 2008, Retrieved 19 October 2020
External links
[edit]Media related to Bade Ghulam Ali Khan at Wikimedia Commons
- Manuel, Peter L (1990). Ṭhumrī in historical and stylistic perspectives. Motilal Banarsidass Publisher. ISBN 978-81-208-0673-3.
- 1902 births
- 1968 deaths
- Hindustani singers
- 20th-century Indian Muslims
- Recipients of the Padma Bhushan in arts
- Patiala gharana
- Recipients of the Sangeet Natak Akademi Award
- Thumri
- 20th-century Indian male classical singers
- People from Kasur District
- Naturalised citizens of India
- People who lost Pakistani citizenship
- Pakistani emigrants to India
- 20th-century Khyal singers
- Recipients of the Sangeet Natak Akademi Fellowship
- People from Punjab Province (British India)