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User:IJzeren Jan

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Wikipedia:Babel
nlDeze gebruiker heeft het Nederlands als moedertaal.
pl-4Ten użytkownik posługuje się językiem polskim prawie jak językiem ojczystym.
en-4This user can contribute with a near-native level of English.
isv-3Tutoj upotrěbitelj posluživaje se medžuslovjanskym na vysokom uravnju.
Тутој употрєбитељ послуживаје се меджусловјанскым на высоком уравњу.
Wdk-3Ił wcielzatórz pocie kotrzybytar en lęgwie wenedczej sur niwiół owęcaty i przeście włydy.
de-3Dieser Benutzer hat sehr gute Deutschkenntnisse.
fr-2Cet utilisateur peut contribuer avec un niveau intermédiaire en français.
la-2Hic usor media latinitate contribuere potest.
ru-2Этот участник неплохо знает русский язык.
af-2Hierdie gebruiker het 'n gemiddelde begrip van Afrikaans.
pap-2 This user is able to communicate with parrots on a moderate level.
vo-2At pösod zenodiko pükon Volapüki.
uk-1Користувач може робити внесок українською мовою на початковому рівні.
grc-1Ὅδε ὁ χρήστης δύναται συμβάλλεσθαι ὀλίγῃ γνώσει τῆς ἀρχαίας ἑλληνικῆς.
...This user would like to be able to speak some more languages.
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Ill Bethisad Project
This user has created a global account. IJzeren Jan's main account is on Wikipedia (in Dutch).
Free political prisoners!

Subpage: User:IJzeren Jan/List Of Conlang-Related Articles

Welcome!

I'm not a person who likes talking about himself, so I will limit myself to the necessary. My real name is Jan van Steenbergen, I was born on June 3, 1970 (on the same day when Hjalmar Schacht died), and I live in Zaandam, near Amsterdam. Educated as a specialist on Eastern Europe, mainly Poland, I've worked as a journalist, as a translator, and (currently) as a software engineer in a bank. My main interests are: Poland and Ukraine; language, particularly constructed languages; Classical music; history. I am mostly active in the Dutch Wikipedia, under user name IJzeren Jan. Here I will probably mostly be dealing with interwiki links, and perhaps small modifications of existing articles. Also, I might dig up interesting stuff to translate into Dutch or Polish.

My user name, IJzeren Jan literally means Iron Jan. How so? Well, during my student years I used to play computer games from time to time, and "IJzeren Jan" was one of my favourite nicknames I used in highscores. Later I almost automatically used it in my e-mail address, and now as my Wikipedia user name. Only much later I learnt that IJzeren Jan was also the nickname of my famous countryman Jan Pieterszoon Coen, who also happens to be the symbol of my native town Hoorn.

I am the author of several constructed languages, two of which, Wenedyk and Interslavic, are listed in the English wiki. More about this and other things can be found on my home page, http://steen.free.fr/ .


Best regards,

Jan



Portal:Constructed languages
Today's language
Velimir Khlebnikov's book Zangezi (1922)
Velimir Khlebnikov's book Zangezi (1922)

Zaum (Russian: зáумь) are the linguistic experiments in sound symbolism and language creation of Russian-empire Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Coined by Kruchenykh in 1913, the word zaum is made up of the Russian prefix за "beyond, behind" and noun ум "the mind, nous" and has been translated as "transreason", "transration" or "beyonsense" (Paul Schmidt). According to scholar Gerald Janecek, zaum can be defined as experimental poetic language characterized by indeterminacy in meaning.

Kruchenykh, in “Declaration of the Word as Such (1913),” declares zaum “a language which does not have any definite meaning, a transrational language” that “allows for fuller expression” whereas, he maintains, the common language of everyday speech “binds.” He further maintained, in “Declaration of Transrational Language (1921),” that zaum “can provide a universal poetic language, born organically, and not artificially, like Esperanto."

Examples of zaum include Kruchenykh's poem "Dyr bul shchyl", Kruchenykh's libretto for the Futurist opera Victory over the Sun with music by Mikhail Matyushin and stage design by Kazimir Malevich, and Khlebnikov's so-called "language of the birds", "language of the gods" and "language of the stars". The poetic output is perhaps comparable to that of the contemporary Dadaism but the linguistic theory or metaphysics behind zaum was entirely devoid of the gentle self-irony of that movement and in all seriousness intended to recover the sound symbolism of a lost aboriginal tongue. Find out more...